Tuesday, 2 February 2010

evaluation


 

Before I began my project I decided to gather inspiration by visiting galleries in Leeds and Manchester to look at layouts, themes and work that may relate to collections, but found that I didn’t find any work that inspired me for this specific project. Although, I did gather ideas on layout methods and good visual use, I found it difficult to find anything specific to what I wanted to do, so I used the internet to find more inspiration, which I found was more effective and specific.

 

I stumbled upon some stop motion pieces which kick started my project idea. Because I’d always been a fan of stop motion work, I thought of how I could use this in my book, so I decided to create a selection of flip books which would display movement, but I still needed to think of a subject matter. When considering time management, I thought of how I could create the images I needed over Christmas, with a lack of technology and help available, so I began thinking of how living in the countryside would help benefit my subject. This led me onto thinking of natural movement, which was the point I decided to use in my flipbooks.

 

Before the holidays began, I used this opportunity to experiment with binding flipbooks, creating my own stop motions and learning what equipment would work best. Because I had a lack of knowledge with using video cameras and felt that there was too little time to teach myself, I decided to use a camera with a fast shooting mode to create stop motions from images rather than film. Not only did I do this for time management purposes; I also felt that because photography was my main area of work, this would be a good way to develop my skills further in a challenging process.

 

I experimented with making a number of different flipbooks with different binding methods, but mainly concentrated on using sewing methods because this was the most effective method to use, but also because of lack of materials such as screws and bolts. Over the holidays I travelled to different areas to experiment with creating stop motions, ranging from using continuous shooting, to creating time lapse over the space of 2 hours, using a tripod for all.

 

Over the holidays I also began thinking of what to do for my postcard design and other piece. Because of time issues, I decided to incorporate my time lapse photos into both pieces by designing a time lapse film and creating an image that showed time lapse too.  I chose to concentrate on these more when I was back in Leeds, so I spent the holidays creating stop motions using my camera, gathering inspiration online and looking at flip book tutorials to help me create effective books. When I arrived back in Leeds, I began editing and printing my images to turn into flip books, then used book binding drop in sessions to begin creating them. Besides a few minor problems such as binding and size differences, the books turned out well, and had a good colour range especially.

 

After a personal tutorial where I discussed problems of the books not showing movement, I decided to experiment with depth of field and focus to create more movement in my books, but I found that this still wasn’t as effective as I’d hoped, but also with money and time issues it would of not have been possible for me to re-create a lot of my books. After I had completed my books, I began to design my film, which I originally did in Imovie, but because the program had limitations, I had to recreate it in final cut, which was a big problem for my timing. I managed to complete the film before the exhibition successfully, but because of lack of time and experience, the film itself was badly cut, which is one of the main disappointments with my project because the film itself had a lot of potential. For the postcard I used to Photoshop to combine 5 time-lapse images, which showed night to day, and used colour balance along with brightness levels to edit the colours to show more of a contrast. I found the postcard was successful but with more time could have been done more professionally.

 

I was pleased that I managed to complete everything before the exhibition, especially with it being moved a week forward, but because of this I also felt that my work could have been a lot more professional and better quality. The exhibition itself I felt was successful, but especially seeing all of vis coms work brought together; I felt this gave everyone an opportunity to see each others styles and work together as a team, especially as an ending to a independent project.

 

Since I’ve always found myself to be someone who enjoys working alone, I managed this project quite well, but feel that I didn’t spend enough time getting feedback off friends and classmates, which would have been useful for advice, because a large issue with my work was concentrating on a certain audience. Because my theme was considered more ‘arty’ rather than useful, it was difficult for me to state a target audience, especially because in my honest opinion the project itself was more for my sake to develop my own skills and show what I enjoy.

Thursday, 28 January 2010

film draft 1



Heres my film draft which i created using imovie to test the movement of my images.



Thursday, 21 January 2010

depth of field experimentation

in a meeting i was asked to experiment with depth of field to show movement in my flip books, my first attempts were simple and un affective but i hope to try more. i rented a camera and used manual focus to achieve this.



Tuesday, 12 January 2010

books anf flip books experimentation










Rationale and ideas

For this project i wanted to do something personal and different, whilst considering collections, so i began by gathering inspiration online. I came across some good stop motion films, which is an area i've enjoyed because it involves photography, so i thought of how i could use this within my project, which is where i came up of the idea of flipbooks. 
for the book theme and content, i wanted to apply my personal likes and skills, whilst doing something challenging, so i came up with the idea of documenting 'movement in nature', by creating a number of flipbooks that contained small 'animations' of natural movement, such as small clips of waves and clouds. I considered that by making a number of small flipbooks, this would be a collection of natural elements, which would be personal to me yet hopefully intriguing to the viewers. Because this project is held over christmas, this is the perfect opportunity for to to explore natural scenery and elements in my hometown in wales, But this also means that with the time of year and unpredictable weather, some of my photo opportunities will be limited.
i plan to hire a camera from college which will have a fast shutter release to get good motion shots, and using my tripod for stability. in my sketchbook i hope to jot down ideas of what to photograph, flip book ideas and general inspiration, but to use my blog for video inspiration and to show my stop motion images. through out the project i want to keep experimenting with book binding techniques but to also keep looking up stop motion videos for ideas, this will hopefully keep me updated and involved in the project. for my other piece, i hope to produce a stop motion film, possibly of day to night, but i will have to research more into this, this also applies for my postcard. for my end book result, i hope to end up with between 10 and 15 books, all with a selection of natural stop motions in a range of styles and colours. 

Monday, 4 January 2010

video editing


On this original video i found it to be too long and lacked colour, so using imovie i edited it by making it shorter, cropping it slightly and adjusting the contrast, colour and exposure, to create the final video below.



Sunday, 3 January 2010

first draft nature stop motions for flip books

For my visual language i am creating a selection of flipbooks that show natural movement. Here's a selection of my first attempts, which i have put into imovie and created stop motion movies to show how they will appear in a flip book.

clouds..

ducks..

fire..

grass..

snow..

sunset..

sea..

sea..

sea..

sunset..

swans..

Saturday, 19 December 2009

visual language- inspiration

although im creating a sketchbook for my visual language project, il also be using my blog to post videos since i will be looking at stop motion and nature videos for my book...

Tuesday, 24 November 2009

Final images....


Here i created a large set of final images, which i will cut down to a set 0f 19 or 18, to fit into my portfolio file.

For all my images i used a range of effects, some with just normal developing, but some with experimental techniques.

On this first image i did a mixture of a double exposure effect and combining images, to produce a surreal effect. because there was such a large glare in the image, i decided to use this opportunity to use it to a creative advantage.

this image is done in the normal way, but using a light scale of 3 (slightly red) to give slightly more contrast.

with this image i also did double exposure and combining images, because there was once again a white glare which i added a background of a peely painted wall to add a fire effect, there is also some feet visible from the original image which gives a very interesting effect.

this was a straight forward image but with the use of the red light at a high scale (4.5) to maintain the detail, which also added an interesting grainy effect.

this is a normal image produced with the white light to maintain the detail in the shadows and stop too much contrast.

this image was produced using the red light at a 4.0 scale, to add contrast but reduce grain.
this image wasn't as successful as the others, because i tried to add detail from another image into the glare, but this caused a line across the image and some blurriness.
this was a straight forward high contrast image exposed in red once again, at the scale of 4.0
another straight forward image with slightly more contrast to enhance the detail.

this was a reproduction on the image that failed, but without the experimental effects added, which made it much more successful.

Although the image itself was nice, it came out much too dark and out of focus.
Here is another experimental image which i did by adding one of my studio flower images into it, and although it looks interesting, i probably wont be including this in my portfolio.
This image i produced at a very high red (5.0) to give a high contrast, mainly to emphasise the curtains.

I really liked this smashed window image, but due to poor lighting i had to be very careful on how i developed it, so i only added a small amount of contrast yo maintain the detail of the glass, but enough so the image wasn't dull.

i Liked the simplicity of this image, so i added a small amount of contrast (to enhance the radiator and bring it out from the background) but kept the image quite bright.

With this image i re-exposed it and whilst re exposing slightly moved the film to add a moving or misty effect.
With the great difference in light on this image, i tried to create burn tools to help even out the light, but there was no detail under the glare, so i used it to my advantage and made the image dramatic and striking.
Here's one my test sheets..
With this image i did a full double exposure, which means after i placed the paper in the developing tray, instead of moving it onto the fix, i simply placed it back under the enlarger and re-exposed it, causing a sabattier effect.

Another big contrast in light and dark, but it gives the image i dramatic feel which i wanted to maintain.
This was another double exposure but i moved the image down slightly, so the pattern on the wall would appear twice...
Because the lighting was poor when i originally took this photo, i had to use the red light (5.0) at a high level, and expose the picture for a short amount of time to maintain the detail, but i still find this one of my favourite and most haunting images.

quotes...

"You don't take a photograph, you make it."
Ansel Adams

"People think that all cameramen do is point the camera at things, but it's a heck of a lot more complicated than that!"
Larry in groundhog day

"Life is like a good black and white photograph, there's black, there's white, and lots of shades in between."
Karl Heiner

"...everything looks worse in black and white."
Paul Simon

"A photograph is a most important document, and there is nothing more damning to go down to posterity than a silly, foolish smile caught and fixed forever."
Mark Twain

"When you photograph people in colour you photograph their clothes. But when you photograph people in B&W, you photograph their souls!"
Ted Gran

"The camera can photograph thought."
Dirk Bogarde

"Fear is a darkroom where negatives develop."
Usman B. Asif

"Buying a Nikon doesn't make you a photographer. It makes you a Nikon owner."
Author Unknown

“Black and white is a designer’s tool. Denying the apparent reality of colour, it begins as an abstract representation. We do not see in black and white. And because abstraction is a cornerstone, the artist is not obliged to any prearranged standards of representation.”


Darkroom dynamics

After just flipping through this book i realised how much is possible in a darkroom, and i decided to gather some of the techniques it taught me and use them on my final images...

  • Sabbatier effect
  • high contrast
  • double exposure
  • combining images
  • control during exposure
  • and how to control a bad film..




Sketchbook 2....


since i finished my first sketchbook, i created a new smaller one which i used to concentrate on experimenting in the darkroom (using the enlarger and light options) and also develop my final images. i feel that i may have left it too late to experiment in this area.. or upload and learn the actual names of the enlarger parts....

i decided to scan the pages in for this blog, they may be scruffy but it works best...
















Next i will be using the techniques ive learnt throughout this project to create a set of final images...